IMAX and Texas Instruments announced they will be working together to transition IMAX from a film-based projection format to a DLP-based technology instead. Starting in the middle of 2008, all new IMAX projectors will include the digital DLP technology and eliminate the need for elaborate film-based projector setups currently found in IMAX Theaters. This raises the question: which billionaire will be the first to have a digital IMAX theater installed in his mega mansion?

Texas Instruments Announces IMAX Digital Projection System to be Powered by DLP Cinema® 2008 marks the 10th Anniversary of digital cinema led by DLP Cinema LAS VEGAS, NEVADA - March 11, 2008: Texas Instruments (TI) (NYSE: TXN) DLP Cinema® announced today at ShoWest that IMAX® Corporation (Nasdaq: IMAX) has decided to incorporate the DLP Cinema projector solution in its IMAX digital projection systems to be deployed by commercial exhibitors around the world. “We are excited to cement this alliance with DLP Cinema, and believe their technology will help ensure that our digital projection system delivers the best cinema experience available to audiences,” said IMAX Co-Chairmen and Co-CEOs Richard L. Gelfond and Bradley J. Wechsler. “We’ve evaluated competing cinema projection technology and found DLP Cinema to be the ideal match for IMAX.” IMAX’s highly anticipated digital projection system integrates a suite of proprietary IMAX intellectual properties with the DLP Cinema projector solution in a way that creates The IMAX Experience in a digital format. IMAX expects its transition to digital to help to drive profitability for studios, exhibitors and IMAX theatres by virtually eliminating the need for film prints, increasing program flexibility and ultimately increasing the number of movies shown on IMAX screens. With the implementation of DLP Cinema technology, IMAX moviegoers will experience precise, lifelike images in vibrant colors, delivered through the millions of microscopic mirrors on the DLP Cinema chip. “We are proud to work with IMAX and look forward to the development and rollout of the best digital cinema experience in the market,” said Nancy Fares, Business Manager for DLP Cinema Products Group. “DLP Cinema projectors are the heart of every digital 2D and 3D movie experience for traditional and now large format venues. We look forward to participating in their move to digital in the months ahead.” Digital cinema installations continue to be catalyzed by the increasing release of 3D film. The 3D movie format is serving as a revenue driver for the film industry overall, and has gained a resurgence of interest by moviegoers. IMAX has been a leader in 3D content, especially since the overwhelming box office success of The Polar Express: An IMAX 3D Experience, which has grossed more than $65 million in IMAX theatres around the world since it opened in 2005. More recently, Beowulf: An IMAX 3D Experience grossed $25 million, representing a per screen average of more than $185,000. Celebrating its 10th year in the film industry, DLP Cinema projection technology is installed in over 6,000 theatres on every continent except Antarctica and is the only digital 3D single projector solution. Today there are more than 1,200 theatres in the country that offer the digital 3D experience powered by DLP Cinema technology, and this number will continue to increase as IMAX begins its rollout of digital projection systems powered by DLP Cinema. 10 Years of Digital Cinema 2008 marks the 10th Anniversary of DLP’s entrance into the cinema industry, with the first fully functional and Hollywood endorsed digital DLP Cinema movie projector. After years of prototypes, DLP had delivered Hollywood’s biggest image critics and cinematographers with a digital projector that met the world’s highest standards on color, brightness and reliability and therefore pioneered the digital cinema concept. A year later in 1999 the studios released the first movie in digital format on DLP Cinema which was Star Wars: Episode I- The Phantom Menace. DLP Cinema honors the heritage of the ultimate viewing experience while incorporating the latest technology innovations, such as the 3D single projector solution, and cutting costs for cinema exhibitors, distributors and ultimately the consumer. About DLP Cinema DLP Cinema is a proprietary technology that delivers clear, sharp, bright and accurate images to movie theatres globally. To manufacture and market under the DLP Cinema trademark, technology licensees, including Barco, Christie and NEC, must meet stringent standards and guidelines meant to ensure the best possible performance and picture quality. This digital picture and standard of excellence ensures that a DLP Cinema movie screening looks flawless and each showing is as perfect as the first with no annoying scratches, tears or weaving that detract from the movie-going experience. For more information, or to find a DLP Cinema theatre near you, please visitwww.dlpcinema.com. About Texas Instruments DLP Products DLP display technology from Texas Instruments offers clarity down to the most minute detail, delivering pictures rich with color, contrast and brightness to large-screen HDTVs and projectors for business, home, professional venue and digital cinema (DLP Cinema®). 50 of the world’s top projection and display manufacturers design, manufacture and market products based on DLP technology. DLP is the only HDTV technology built from a foundation in the digital cinema where it set the industry standard demonstrated by the deployment of DLP Cinema technology in 5,971 theatres worldwide. At the heart of every DLP chip is an array of up to 2.2 million microscopic mirrors which switch incredibly fast to create a high resolution, highly reliable, full color image. DLP technology’s chip architecture and inherent speed advantage provides razor-sharp images and excellent reproduction of fast motion video. Since early 1996, more than 15.5 million DLP subsystems have been shipped. For more information, please visitwww.dlp.com. About Texas Instruments: Texas Instruments (NYSE: TXN) helps customers solve problems and develop new electronics that make the world smarter, healthier, safer, greener and more fun. A global semiconductor company, TI innovates through manufacturing, design and sales operations in more than 25 countries. For more information, www.ti.com. DLP and DLP Cinema are registered trademarks of Texas Instruments. About IMAX Corporation IMAX Corporation is one of the world’s leading digital entertainment and technology companies. The worldwide IMAX network is among the most important and successful theatrical distribution platforms for major event Hollywood films around the globe, with IMAX theatres delivering the world’s best cinematic presentations using proprietary IMAX, IMAX 3D, and IMAX DMR technology. IMAX DMR is the Company’s groundbreaking digital remastering technology that allows it to digitally transform virtually any conventional motion picture into the unparalleled image and sound quality of The IMAX Experience. IMAX’s renowned projectors and new digital systems display crystal-clear images on the world’s biggest screens. The IMAX brand is recognized throughout the world for extraordinary and immersive entertainment experiences for consumers. As of September 30, 2007, there were 296 IMAX theatres operating in 40 countries. IMAX®, IMAX® 3D, IMAX DMR, and, IMAX MPX The IMAX Experience® are trademarks of IMAX Corporation. More information on the Company can be found at www.imax.com.

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Ten years of vocal training is a high price to pay just to carry out the party trick of being able to shatter a glass with your yelps, but what if we told you that you could do the same thing with a gadget? All you have to do is take a glass, set it in front of an amp+mic system, and manage to match your singing to the resonance frequency of the glass. Once you do, you’ll be out $1.95 and your friends will be briefly amused. Of course, if you wanted to do it the old-fashioned way, it’ll be even more impressive. [Wikihow via Make - Image]

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The calendar tells us that the 5D, Canon’s second best DSLR range, is due for a refresh. It comes from a message board, so take this with a grain of salt, but someone on DP Review forums has posted specs for a second generation 5D with the following changes: A modest 15.3MP up from 12.8MP, and a massive 2 stop bump in light sensitivity to 25600 ISO.

The cam will supposedly shoot at 6fps instead of 3, and will have dual Digic III processors instead of a single Digic II cpu. The AF system will use 29 points instead of 9, and it’ll have the same weather sealing as the topline 1Ds Mark III, as well as live view. The announcement is supposed to come on April 22nd, at $3500. That’s a lot of stat smather, but the bottom line is that Nikon’s D300 better watch its ass. [DP Review via Photography Bay, thanks Eric]

The new 5D II will not be released at Photokina, but instead will be a surprise announcement on April 22, according to a source I am unwilling to disclose. The specs of the new camera are as follows (final name unavailable):

- 15.3 MP full frame CMOS sensor (vastly improved light-gathering capacity per pixel: improved micro lenses; miniaturized micro circuitry; enhanced signal/noise ratio)
- Weather sealing same as 1Ds Mark III

- Dual Digic III with all-new “CXR” NR system reported to best 3rd party NR software. Available as a C.F with 4 levels of customizable parameters.
14 bit A/D conversion

- ISO 12800 (C.F. up to 25600)

- Reported 1 2/3 stop sensitivity improvement

- All-new 29-point TTL CMOS sensor
with 12 cross-type for F/2.8 or faster lens
(35% faster than 40D)

- Micro lens fine adjustment for up to 14 lenses

- 300,000 exposure shutter durability

- 6.0 / 3.0 fps

- 3.0″ LCD
922,000 pixels

- EOS Integrated Cleaning System

- Live View (improved from 450D; latest generation)

- 6/3 fps continuous shooting for up to 68 frames

- MSRP $3499, available June 2

The CMOS in the new camera will be an entirely new generation, not based on the current flagship or the current camera it is replacing. The reason Canon can do this without cutting into the 1D series is because the new flagship will best the 5D in 3 key areas: frame rate, buffer, and AF. Canon recognizes these are extremely important to sports photographers. No one shooting pro sports goes backwards to save a few thousand dollars on a body. Canon knows this and understands it isn’t competing against itself - even if amateurs on forums such as this (who wont buy the pro-series cam) do.

The CXR NR system will detail retention at 12800 similar to 3200 on current model, though a 1 2/3 stop improvement is the conservative, stated estimate. Canon hopes to create a “wow” factor with a conservative estimate that surpasses itself in studio/ pro review tests, because they know at this level, you’ll be looking there. The philosophy here is that it will create such a “buzz,” many who would not consider this camera will consider it. Calling a 2-stop advantage a 2-stop advantage would simply be meeting expectations. FPS will also slightly exceed 6 (and 3), as stated. Canon received negative feedback for the 6.5 FPS quoted in the 40D and learned from their mistake here. (Expect Nikon to underpromise at D3 and above cameras in the future. This is common when technology advancements under perform “consumer pull”)

The weather sealing will, in fact, be the same as the current flagship. This is in direct response to Nikon and Pentax. Expect full weather sealing to be a feature in all but low-end (Rebel) bodies in the next cycle. You can thank Pentax for this.

Battery life will only be improved by just under 10% due to the extra processing required.

The market segment is not in direct competition with the D300. Just as the 5D created a new class of camera 3 years ago, the new 5D will create a similar new niche above the D300, but below the current Canon flagship. It will remain the affordable, full-frame niche that Nikon chose not to produce. The new Canon flagship, this Fall, will have a “1.5:1 price/performance advantage to the Nikon flagship.” (Read carefully: this statement refers to the coming Canon flagship, not the 5D II being discussed here).

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I’ve to confess that I wasn’t sure about Pixar’s upcoming Wall•e, the story of a robot who is left behind to clean Earth by a starbound human race. After seeing how amazingly mindblowtastic the full trailer is, it’s now higher than the greatest drunk hero of all time in the must-watch list, although still below the man with the fedora and the whip. What do you think?

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Today in New York, Acer’s big surprise is the Aspire “Gemstone Blue” notebook, equipped with a Blu-ray drive, true high-def screen, and CineReal sound, a second generation of Dolby Surround. Sexy, and yes, blue, and it doesn’t appear to suffer from port envy like some other notebooks, though it is slender. In size it’s somewhere between HP’s dv series and Dell’s XPS M series. That’s not just a size comparison, but a qualitative judgment call: this thing looks unambitiously nestled between the two other PC giants’ designs. With such mystery and fanfare, we were hoping for a tad more of an exciting, iconoclastic design. It is, however, a decent product, so have a look. UPDATE: Weights and model numbers below.

It’s got a cool touchdial on the left for some nice multimedia controls; it’s called CineDash, and it’s got volume, mute, hold, media transport and menu navi.

The largest of the two models, the 8920, has a 1920×1080 18.4″ screen, and a 90% (ATSC?) color gamut. The smaller, the 6920, is 16″ with same resolution and 60% of the color gamut. As you can guess from those screen resolutions, both can support full Blu-ray playback. (Another blue reference.) They’re saying 3 hours playback on the 18.4″, and 2.5 hours of movie playback on the 16″ one. There will be an “SD” version with 720p playback of either DVD or Blu-ray.

They’re shipping in a month. The starting price point is $1,700, with a typical config around $1,900.

UPDATE: The weights are a bit troubling for anyone interested in mobility: Over 9 lbs for the 18.4 incher, and nearly 8 lbs for the 16 incher.

Check out some additional specs:
[Acer]

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We’re at Frank Gehry’s IAC Building in Manhattan, and Acer president Gianfranco Lanci is at the podium promising something exciting in the color blue (incidentally, Pantone’s official color of the year). The company itself is #2 worldwide in notebook sales, solid #3 in all PCs worldwide, especially after acquisitions of Gateway and Packard Bell. With heft like that, we hope they don’t disappoint. Stay tuned.

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This modular DNA PC concept looks quite similar to the Bookshelf Microsoft ISDA design concept from a few years ago, but it’s slightly different in that it’s almost entirely made out of cubes. The core idea is the same: you’ve got a base “PC” that you add features and peripherals onto by attaching them together. Keyboard, storage, RAM, and other components are all interchangeable, which gives the final PC construction a bit of a kindergarden/LEGO look. Interesting, yes, but a bit too far-fetched to be really usable.

[Techpin via DVICE]

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This concept desk looks like standard Ikea fare upon first glance, but a closer examination reveals a recessed middle that’s contoured for a custom Samsung laptop to dock into. Once locked in, the laptop keyboard sits flush with the rest of the desk, bringing new meaning to the term desktop PC. A novel idea, but I’d be more sold on the idea if it included connections to external accessories, like hard drives and speakers, when you docked the computer into the desk. [Yanko Design]

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The Future of Portable Entertainment has a 2.8″ touch screen, a 1.3MP camera and one big honking square orange button. And you all Apple haters can rest now, because The Future of Portable Entertainment “is not an Apple product.” Or so says the company that makes this cloned piece of crap metal and plastic called Touch. Your Secret Savings Code printed in an advertisement will get you a “Geeks price” of $69.99 plus shipping. [Crunchgear]

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This seems to be a France-only deal, but Archos’s upcoming 606 looks like their first 3G data-equipped player to be available anywhere in the world. The player looks around the same size as the already-released 605, but is completely black, has a 30GB hard drive, and certain pricing details that are only relevant for France. In any case, if Archos can get a deal like this going in France, it bodes well for PMP fans who are looking forward to a cell-connected player to download audio and video with elsewhere in the world as well. Especially if it has support for movie/music rentals. [Archos Lounge]

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